Synaptic Studios

Peter Gabriel’s Secret World

Chris Finch — Sat, 06 Mar 2010 06:12:10 +0000

“Sometimes, when you look around, everything seems still and calm on the surface. And then you detect a little disturbance and you know for sure that underneath the surface lies some other secret world.” — Peter Gabriel

Peter Gabriel is an extremely passionate musician and songwriter who has earned international acclaim, not only for his music but also for his human rights work and his promotion of world music.

Born on February 13, 1950, Gabriel grew up on a farm in Woking, Surrey, England. His childhood was full of outdoor exploration, which greatly fueled his creative imagination … read the rest of this artcile at Life As A Human

Derek Trucks: Desdemona

Chris Finch — Tue, 02 Feb 2010 19:11:45 +0000

Few guitarists have achieved the level of notoriety that Derek Trucks has at such an early stage in their career. Born in 1979, the Grammy nominated guitarist began playing at age 9 and by age 11 was performing gigs. It was at this time where he was invited to sit in with The Allman Brothers Band, in which his uncle Butch Trucks was a founding member. Derek received a genuine music education through touring and sitting in as a special guest with the band. Throughout his teens Derek was introduced to some music’s finest, sitting in with legends such as Bob Dylan and Buddy Guy. In 1999, he officially became a member of the Allman Brothers Band.

Derek is a truly gifted guitarist who toured extensively through his twenties. In 2006 he juggled schedules with The Allman Brothers Band, The Derek Trucks Band, and a world tour featuring him alongside Eric Clapton. Through his dedication he has emerged as one of the finest guitarists in contemporary music. A master of the bottleneck slide guitar, Derek incorporates blues, jazz, and world music into his southern rock style. Both with and without the slide he produces incredibly pure and vocal sounds on the guitar. Derek commonly plays with only his fingers, which allows him to create naturally flowing phrases with a distinctive rich tone.

This is a clip of Derek Trucks performing with the Allman Brothers Band in New York City in 2003. It’s an outstanding example of his playing and the expressive power of the guitar.

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Special Announcement! – Life As A Human – Has Begun

gilnamur — Tue, 02 Feb 2010 19:10:28 +0000

On July 19th of last year at about 11:30PM, an idea was born. That idea was to build a place, this website, which would present excellent writing across a wide range of topics. A place that would not feature sensationalism, but that would always strive to be sensational. A place that would endeavor to provide help to people who need it through a practical philanthropic effort.

Within a week of that idea, our team was built, and we have been working hard ever since to turn that idea into something real. It has been an honor and a privilege to work with this vibrant and dedicated team. Six months later, this is the fruit of their labor. It’s February 1, 2010 and our doors are finally open.

Life As A Human has begun!

Please surf to this link to read the rest of this post and visit Life As A Human!
http://lifeasahuman.com/2010/laah/life-as-a-human-has-begun/

Photo Credits

Public Domain Photo – courtesy of PDPhoto

Lenny Breau: You Needed Me

Chris Finch — Sun, 20 Dec 2009 22:49:48 +0000

Born in Auburn, Maine to a musical family, Lenny Breau began playing the guitar at age 8. His parents were both professional musicians who played together in their touring country band, “Lone Pine and Betty Cody”. By age 14 he was the lead guitarist in their band where he first performed and recorded professionally. The family eventually moved to Winnipeg when Lenny was 16, where he branched out on his own and developed a keen interest in Jazz music. Throughout his career, Lenny worked in many aspects of the music industry, teaching and writing for Guitar Player Magazine. However, live performance was always a focus as it allowed him to be artistically expressive and develop his depth of guitar techniques. Lenny also received significant exposure through his session work with CBC radio and television, even landing his own television show. It was a recording of The Lenny Breau Show which caught the attention of guitar legend Chet Atkins. Their mutual respect and ensuing friendship led to two Lenny Breau albums released thought RCA records.

While Lenny never attained success on a mainstream commercial level, his virtuosic jazz fingerstyle technique was groundbreaking. A player with an eclectic taste, Lenny incorporated country, flamenco, and jazz into his creative and unmatched sound. His highly developed picking hand and left hand facility allowed him to comp chords and play melodies for himself simultaneously. He also developed the ability to produce complex passages using harmonics.

Lenny’s life was tragically taken on August 12, 1984. The circumstances surrounding his death were unclear as his case still remains unsolved. These two clips are an example of the growth and diversity in Lenny’s playing. They truly show why he still remains a strong inspiration to some of the world’s greatest guitarists.

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Sonny Landreth: Next to Kindred Spirit

Chris Finch — Sat, 14 Nov 2009 23:43:59 +0000

Born in Mississippi and raised in Louisiana, Sonny Landreth is revered among guitarists as a true original. The influence of the south is reflected is his guitar playing, singing, and compositions, through growing up with Blues, Zydeco, and Rock music. Through being immersed in various styles Sonny became a sought after session guitarist and has recorded with artists such as Junior Wells, Bonnie Raitt, Jimmy Buffett, John Hiatt, and Mark Knopfler. In Sonny’s latest release From the Reach, he composed songs specifically for the musicians he invited to play on the album. Within the album are collaborations with some of the greatest guitarists in music today, including Eric Clapton, Mark Knopfler, Eric Johnson, Robben Ford, and Vince Gill.

While Sonny’s style remains rooted in the blues, his approach to the guitar is extremely unique. The backbone of most of his playing is the slide, but by adding fretted notes behind the slide he opens up many possibilities sonically. Sonny also possess a highly developed right hand where he uses a thumb pick and fingers for intricate picking, muting, and tapped harmonics. His melodic sense combined with these techniques produces a superb sound on the instrument.

The first video clip features Sonny Landreth sharing the stage with Eric Clapton in Chicago at the Crossroads Guitar Festival in 2007. It captures him singing and trading some extremely tasteful musical ideas with Clapton. The second features a backstage solo performance of his composition Next to Kindred Spirit.

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Steve Morse: Deep Purple

Chris Finch — Mon, 02 Nov 2009 00:18:28 +0000

Steve Morse is potentially one of the most diverse and virtuosic guitarists alive today. A true master of the guitar, Steve is an extremely versatile guitarist. His style and compositional skills draw from classical, jazz, country, blues, folk, and rock. As a founder of the fusion band Dixie Dregs, Steve has been playing and touring since the 1970’s. He has also released over ten albums between his solo efforts and The Steve Morse Band. In 1992 he replaced the legendary guitarist Richie Blackmore in the rock band Deep Purple. Steve currently plays in Deep Purple where he continues to record and tour extensively.

Steve’s approach on the guitar is one of extreme precision. He has the ability to play extremely complex lines and still remain musical. He is known for producing an exceptionally clean sound through double picking a majority of his notes. Through his dedication to the instrument he has also been a recipient of Guitar Player Magazine’s “Best Overall Guitarist” over five consecutive years.

This is a live clip taken from a Deep Purple performance in Australia in 1999. This is Steve’s solo in the concert. In this 8:37 clip, he plays through an eclectic mix of style and technique demonstrating his immense ability on the guitar.

(This clip is available in HD! If it plays to slow, click the red HD button above to turn that off and it should load faster.)

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Duane Allman: Don’t Keep Me Wonderin’

Chris Finch — Mon, 02 Nov 2009 00:09:16 +0000

For passionate guitarists, developing their sound and technique is an experimental quest that lasts a lifetime. Some search and develop their sound for years, and others are never truly satisfied. There are also a select few who possess their musical voice early on. This can be said about Duane Allman. One of a small group of guitarists in rock history, Duane left a major impact over the span of only a few years.

Known as a powerful slide guitarist and improviser, Duane also co-founded the infamous southern rock group The Allman Brothers Band in 1969. Throughout his brief career Duane also established himself as a session player. He was recruited to play on albums for artists such as Wilson Pickett, Aretha Franklin, and Otis Rush, to name a few. One of his more notable sessions outside The Allman Brothers Band was his contribution to Layla and Other Assorted Love Songs, an album by Derek and Dominoes. For this session Duane was tracked down by their guitarist Eric Clapton, where the two developed a strong mutual admiration.

A large part of Duane Allman’s approach was his use of bottleneck slide on a Gibson Les Paul. He also possessed great improvisational facility without the slide. Within the band, Duane mixed blues, soul, and country music with fellow lead guitarist Richard “Dickey” Betts. The two defined The Allman Brothers and southern rock sound by often playing melodies in harmony. Duane’s style was highly influential in the development of southern rock and continues to be held in high regard among slide and rock guitarists alike. On October 29th, 1971, Duane Allman was killed in a motorcycle accident just prior to his 25th birthday.

These live clips feature The Allman Brothers Band with Duane playing in New York at the Fillmore East in 1970. The first clip “Don’t Keep Me Wonderin” features some of Duane’s tasteful slide playing. The second clip “Whipping Post” shows his improvisational lead playing ( 1:30 – 4:05 ) and also the Allman Brothers dual lead melodies.

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Exploring 7/8

gilnamur — Sun, 18 Oct 2009 16:25:53 +0000

This piece is not meant to be a theory lesson in meter and time signatures. Rather, it is meant to help you open up some new doors and hopefully get your creative juices flowing!

Most of us have grown up listening to music characterized by the familiar time signatures of 4/4 or 3/4. 4/4 is the most common time signature in rock, blues, country, funk, and pop while 3/4 is often used for country & western ballads, not to mention waltzes, minuets & scherzi!

Both of these time signatures are considered ‘simple time signatures’. But what about ‘complex time signatures’?

When I was very young, I listened to a lot of pop, rock and folk. Almost all of it was written in 4/4 time. When I turned 14, I was introduced to the progressive rock bands King Crimson, Yes, Genesis and Gentle Giant. One of the first things I noticed was that I could not easily tap my foot to some of the tunes. When I tried to count them out, I realized that many of these songs were written in complex time signatures and some even used mixed meters, moving from 9/8 to 4/4 to 13/8 etc.

As my internal clock became familiarized with these new meters, I eventually became very comfortable with them and as I began to write songs, I found that I often gravitated towards 7/8.

To me, 7/8 is a wonderful time signature in that it is not necessarily locked to a solid down beat. As I tend to focus more on melodic phrasing than meter, I found that 7/8 was a wonderful pallet on which to compose and improvise because it allows me to play extend melodic phrases.

The following piece called Cogitation is a raw sketch for a song I have yet to finish. I hope you will enjoy it. I offer it as an example of the musical possibilities offered by 7/8 (Don’t mind the cheesy drums and very average mix..remember it’s a raw sketch!)

Cogitation (click to play)

One other thing I will mention about 7/8 is that its possibilities are greatly expanded by where you place the accents. Cogitation is counted with the accents emphasized as follows:

1 2 3 4 5 6 7

However, I also have written pieces with the following accents. (Try taping them out emphasizing the bolded number)

1 2 3 4 5 6 7

and

1 2 3 4 5 6 7

If you want a wonderful example of 7/8, have a listen to the long synth solo in the song The Cinema Show by Genesis from the album Selling England By The Pound. Here is a live version of that solo from YouTube though personally, I prefer the studio version.

Have fun with 7/8!!

P.S.

Here is a good article from Wikipedia on Time Signatures ..

Les Paul: How High the Moon

Chris Finch — Sun, 18 Oct 2009 14:28:48 +0000

Les Paul
June 9, 1915 – August 12, 2009

Les Paul was one of the most significant musical inventors and innovators of our time.

Born in Waukesha, Wisconsin in 1915, Les began playing harmonica at the age of 8. His lifelong music career began soon thereafter. By age 13, Les was performing as a country western singer. A move to Chicago at age 19 sparked his interest in jazz. Soon after, Les formed the Les Paul Trio. By 1939 the group left for New York where Les began experimenting and altering his acoustic electric hollow-body guitars. These ideas would lead to his endorsement and contribution to the development of the solid body electric guitar which bears his name, the Gibson Les Paul.

Through the 1940’s and 50’s Les also began experimenting with recording techniques. He would record an idea to acetate disc, then with another disc record a part layering the previous idea. This was the beginning of multi-track recording. Multi-tracking would also allow him to experiment with the speed in which the parts were recorded. After transferring his multi-track technique to tape, Les developed other major recording innovations such as overdubbing and electronic echo.

Les Paul’s contributions to the advancement of music are unsurpassed. The invention of his 8 track recording device created the platform for modern recording. It also set the path for the recording approach of the 60’s which produced some of the most influential recordings of all time. Through his career, Les Paul was inducted into the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the National Inventors Hall of Fame, and the National Association of Broadcasters Hall of Fame.

On top of all that, Les is an excellent guitar player who is held in high regard by some of the greats. This is a clip of him performing with Mary Ford in 1953. It shows his creative blend of jazz and country played with great facility.

With his passing in August of 2009, the world has lost a remarkable innovator and musician.

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Edward Van Halen: Eruption

Chris Finch — Sun, 18 Oct 2009 14:10:06 +0000

Edward “Eddie” Van Halen is undoubtedly one of the top influential guitarists in rock history. Eddie and his brother Alex originally formed the band “Mammoth”. With the addition of bassist Michael Anthony and singer David Lee Roth, the group then became “Van Halen”. Their 1978 self-titled debut was the lunching pad for them to become one of the most popular and influential rock bands to date. Inducted into the Rock and Roll Hall of Fame in 2007, the band has sold over 80 million albums in their career.

Eddie’s virtuosic abilities have had a significant impact on endless rock guitarists. His technically demanding approach, which includes two handed tapping, legato, and tremolo picking, has set him apart throughout his career. Influences such as Allan Holdsworth sparked the inspiration for Eddie to approach the guitar in an unorthodox way. Large components of his sonic brilliance come from his unparalleled use of feedback and harmonics. Eddie is a true creative original. Everything from his songwriting, technique, sound, and guitars all bear his unique stamp. It’s the creative combination of these elements which make Eddie Van Halen a musical great.

This video clip was taken from a live concert in Connecticut in 1986. This is Eddie’s improvised version of two solo pieces 316 and Eruption.

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