Just like we did in lesson 6, we are again going to harmonize the C major scale except this time, rather than just using triads (3 notes) we are going to use 4 notes. To harmonize the scale, we simply take the 1st 3rd, 5th and 7th notes of the C scale and spell them out. C D E F G A B C D E F G A B C C E G B Then we start again from the 2nd note in the scale and count the 1st, 3rd , 5th and 7th notes from that point. C D E F G A B C D E F G A B C D F A C … [Read more...]
Basic Music Theory Lesson 7: Chords, Harmonizing the C major scale adding the 7th note
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Basic Music Theory Lesson 6: Chords, Harmonizing the C major scale with basic triads
April 8, 2009 by 2 Comments
In this lesson, you are going to have to start using some of the concepts learned in lessons 1 - 5. What we are going to do is "harmonize" the C major scale. To harmonize the scale, we simply take the 1st 3rd and 5th note of the C scale and spell them out. C D E F G A B C D E F G A B C C E G Then we start again from the 2nd note in the scale and again count the 1st 3rd and 5th note from that point. C D E F G A B C D E F G A B C D F A Again from the 3rd note in the scale, count the 1st 3rd … [Read more...]
Basic Music Theory Lesson 5: Chords, basic triads
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Hopefully in lessons 1 through 4, you have seen that there is a "logic" or "formula" that can be applied to work out major scales in all the keys. While memorizing all the scales in all the keys is useful, in my opinion, it is more important to memorize the logic behind how they are derived. Similarly, there are formulas that can be applied to determine or construct any chord in any key. What is a triad? A triad is a combination of three notes … [Read more...]
Basic Music Theory Lesson 4: Major Scales Part 3, the b keys
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In lesson 3, starting with the key of C, we used the Cycle of Fifths to work our way through all of the subsequent keys that use sharps. We learned that there is a specific order of sharps that can be remembered with the sentence Father Charles Goes Down And Ends Battle. To work our way through the flat keys we will use .. The Cycle of Fourths. Again, lets go back to the key of C which has no sharps or flats and this time count up 4 natural notes … [Read more...]
Basic Music Theory Lesson 3: Major Scales Part 2, the # keys
April 8, 2009 by Leave a Comment
At this point it is safe to say that we now know most of the mathematics behind the major scale. As we have seen, the C major scale (or key of C) has no sharps or flats. The G Major Scale (or key of G) has one sharp, F#. Logically the next major scale (or key) should have two sharps. Since it does, it is necessary for us to find out what that next key is and all the subsequent keys thereafter. In order to do so, we will use ... The Cycle of … [Read more...]
Basic Music Theory Lesson 2B: Minor Scale Construction
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The minor scale (also called Aeolian) is a major scale with its 3rd, 6th, and 7th degrees flattened. As we saw in lesson 2 (major scales part 1), the placement of tones and semi-tones is what gives each type of scale its individual sound. If we take the C Major scale and flatten the 3rd, 6th, and 7th degrees, we get the following placement of tones and semi-tones. If you were to start on any note and apply this order of tones and semi-tones ( T, ST, T, T, ST, T, T) you would end up playing … [Read more...]
Basic Music Theory Lesson 2: Major Scales Part 1
April 8, 2009 by Leave a Comment
MAJOR SCALE CONSTRUCTION The major scale (also called Ionian) is the building block from which all other scales and chords are derived. There are two rules which must be followed when building a major scale. 1. All major scales must consist of two tetrachords connected by a tone: This is the C major scale. 2. All major scales must follow an alphabetical order. This is the G major scale. Notice the F#. As you learned in lesson 1, F# … [Read more...]
